Arist Statement Paper Essay Example | Topics and Well Written Essays - 750 words

Arist Statement Paper - Essay ExampleI harbour endeavored to depict these moments since they progressively vary as life goes on. My prints are an attempt to establish a connection mingled with the viewer and the images. art is the driving force of my etchings and is lies within the contemplative illustrations. The function of color in my prints is to generate a artificial instinctive reaction to personal themes like scenes from my childhood and family legacy. I intend to evoke a reason of familiarity in the viewer as I cor allude with a specific image. Printmaking acts as vehicle for space combinations of color juxtaposition. A variety of techniques and various combinations offer innumerable bracing opportunities. I am curiously enchanted by the forms, colors and shapes in printmaking. The art of printmaking is all about anticipation and moments of admiration or distress as the paper or screen is separated to expose the image. I especially condense on intricate compositions , in an attempt to transform my ideas into magnificent prints to put across profound mushy content. Since the beginning, the process of etching seemed magical to me. Over the years, it has assisted me in presenting my inner vision to outer reality and thus led to a sense of achievement. Story-telling has always been an integral component of Slavic folklore. I have delved in my family history and culture at length, struggling to create profiles based upon renewed memories and recollections from old relatives. The authoritative inspiration behind this collection is my Russian grandmother, Marina who used to narrate invigorating and inspirational stories to us in our childhood. With the passage of time and migration, the content of these conventional tales have been modified to some degree, now I relate the same stories to my daughter, Millicent. Therefore, my aim is to deconstruct these stories, lullabies and family heritage that play an irresponsible role not only in our childhoo d but in our adult life too. Our sensing and connection with subject matter evolves and assumes new significance as we pass through time. The conceived fabricated reflection of embroidered memories is the foundation of my figurative connection between past and present established on my lineage. Memories comprise of only selective chapters of our past, frequently concealing imperative features, revealing only fractured bits and pieces of the entire picture. Some are crystal clear while others are fuzzed and altered, making it difficult to discern reality from illusions. I aspire to rediscover our self identity by accessing and repossessing our memories. I have tried to direct the attention of the observers to rediscover their own memories by building up relationships with the prints presented and analyze the pliability of their memories. My work is targeted at recreating, deforming, exposing and obscuring memories. My prints encompass various patterns and denote personal associatio ns and an aesthetic call forth which I feel for each object. Our minds formulate memories according to a specific configuration and then make out segments of our inner emotional nature. My goal is to illustrate the various surfaces of memory by discovering the bond between bodily remembrance and the subtle temporary sentiments that activate as well as summon our memories. Experience, sentiment and perception are reflected by the